MARIA EPES
6 Lynn Cove Road, Asheville, NC 28804      828.254.4800
info@mariaepes.com

 

EXHIBITIONS
Individual
2007          End of the  Line Design, Ceres Gallery, NYC
2001-04    Rooms of My Own at The Healing House, An Installation at 687 Seminary Ave, Rahway, NJ
2001          Female Obsessions, Ceres Gallery, NYC
1999          Fellow Travellers, A 15-Year Retrospective, Serrahima Galeria d’art, Barcelona, Spain
1997          Blood Work and Body Parts, Ceres Gallery, NYC
1996          Spooners in the Land of Forks, La Mama La Galleria, NYC
1994          Kill Yourself/Kiss Yourself, La Mama La Galleria, NYC Art Ex Libris, Artspace, Richmond, VA
1992          Drawing Blood, Ceres Gallery, NYC
                   Rebirthrite/Rebirthright, An Installation at La Mama La Galleria, NYC
1991          Spiral Walk, An Installation for Broadway Village Art Festival, NYC              
                   Birthrite/Birthright, An Installation at Ceres Gallery, NYC
                   The Arrival of the X-Factor, An Installation at Ceres Gallery, NYC
1990          Deathrite/Deathright, An Installation at Broadway Windows, NYU, NYC 

Group
2009          Shimmerings: A Moment in the Eye, Ceres Gallery, NYC
                   Towing the Line, Ceres Gallery, NYC
2008          Eat, Sleep, Pray, Ceres Gallery, NYC
2006          Genderland, A Collaborative Project, LHUCA Icehouse, Lubbock, TX
                   Here was New York, World Trade Center Art, Brooklyn Artists, NYC
2005          The Thread Project, One World, One Cloth, Isle of Palms, SC
2004          Constellations, Ceres Gallery, NYC
2002          World Trade Center Exhibits: Reaction, Exit Art, NYC; Unity Canvas, NYC; NJ Print Council, NJ
                   September 11 Memorial Portfolio: American Print Alliance, Atlanta, GE;
                   9/11: The Artists Respond, The Arts Guild of Rahway, NJ; Powersurge, Ceres Gallery, NYC
2000          Corazonada, Serrahima Gallery, Barcelona, Spain
1999          Artists’ Books, Center for Book Arts, Minneapolis
1998          Women Artists in the NASA Art Program, NASA 40th Anniversary
                       The National Museum of Women in the Arts, Washington DC            
                   The Whole is Greater than the Sum of Its Parts, Frauen Museum, Bonn, Germany
1997          L. x W. x D. + ?, The Visual Arts Program, St. Mark’s Church In-The Bowery, NYC
                   Generations: 1972-1997, A. I. R. Gallery, NYC
1996          In the Making: The First Ten Years of the Permanent Collection, Islip Art Museum, East Islip, NY
                   Look at the World Through Women’s Eyes, Global Focus &
                       The National Museum of Women in the Arts, Washington, DC
1995          Deviants, Perverts, Aliens & Feminazis/A Response to the Radical Right, Ceres Gallery, NYC
                   A Woman’s Place, Prince Street Gallery, NYC
                   Global Focus: Women in Art and Culture, Fourth World Conference on Women, Bejing, China
1994         Wounded in America, Fiterman Gallery, NYC
                   Demolishing Domesticity, WomanSpace, Chicago
                   Strictly Confidential,Phoenix Gallery, NYC
                   No More Nice Girls, ABC No Rio, NYC
                   Family Values, Prince Street Gallery, NYC
                   Collage & Assemblage,Westbeth, Women's Caucus for Art Conference, NYC
1993          Songs of Retribution, curated by Nancy Spero, Richard Anderson Gallery, NYC
                   Twenty Years Ago Today, Islip Art Museum, East Islip, NY    
                   Selections: An Invitational, Artemesia Gallery, Chicago
1992          Her Art Works, Curated by Linda Benglis, South Bend Art Center, Indiana
                   Piss on Patriarchy, SisterSerpents, Chicago    
1991          The Abortion Project, Artists Space, NYC
                   Choice, A show for women’s reproductive rights, A.I.R. Gallery, NYC
                   Inappropriate Men, ARC Gallery, Chicago
                   Fe-Mail Art, Utterances About Women,University of Illinois and N.A.M.E. Gallery, Chicago
                   A Salute to Women: Artists’ Postcards and Albums from the International Festivals
                       in Copenhagen and Nairobi, The National Museum of Women in the Arts, Washington, DC
                   Concepts & Dimensions, Trumball Art Gallery, Warren, Ohio
                   Furious Women & Furious Art:  SisterSerpents, Artemesia Gallery, Chicago
1990          Black Listed/Whitewashed/Red-Handed: Speak Out on First Amendment Rights, NYC
                   Acceptable/Unacceptable,Ceres Gallery, NYC
                   Rattle Your Rage, SisterSerpents, Chicago Filmakers and ABC NoRio, NYC
                   Visions of Life, Chuck Levitan Gallery, NYC & Islip Satellite Gallery, LI         

BIBILIOGRAPHY
2007, Brooklyn Museum: Elizabeth A. Sackler Feminist Center for Art: Feminist Art Base Archive
April/May 2007, “Feminisms in the Singular,“ John Haber
April 2007, “Self-Portrait with Bullet Holes with Postscript,” John Haber
Home News Tribune, August 2002, “She hones her art and the art of living,” Tamari
Anthropoetics: The Journal of Generative Anthropology, Winter 2000, “The Aesthetics of Blood,” Perlmutter
El Mundo, June 1999, “Maria Epes escenifica su obsesion por la muerte,” Uberquoi
El Pais, July 1999, “Un art de sang i fum,” Serra; also Vanguardia, Avui, Marges, Guia Del O Cio
Gallery & Studio, May 1999, “New York Notebook,” Weidman
Richmond Times Dispatch, Feb 17 1994, “Getting a Good Read on Books as Fine Art,” Bullard
Iris, A Journal About Women, Winter 1993, Univ of VA: Featured artist
Woodstock Times, Sept 1993, “Blood Simple: For Maria Epes, the Medium is the Menses,” Kostar
Cover, Summer 1993, NYC: Book review
Print Collector’s Newsletter, March–April 1993, NYC: Book review
Ms., November/December 1992: “Arts: To Defy, Reveal–And Heal,” Cindy Nemser
Kalliope, A Journal of Women’s Art, Winter l992,  Jacksonville, FL
Creation Spirituality, Fall 1991, Berkeley, CA
Artists’ News, Nov 1991: “Price & Value:“The Mysterious Art of Pricing Your Art,” B.C.,Canada
The New York Times, Feb 17, 1991: “On Dealing With the Issues of Identity,” Harrison
Newsday, Feb 8, 1991: “Family, Roots, Culture Inspire Women’s Visions,” Karin Lipson
Backgrounder, The Heritage Foundation, Jan 1991: “NEA: Misusing Taxpayers’ Money”
Village Voice, June 19, 1990:  “ABC  No Lady,” Arlene Raven
In These Times, April 4, 1990:  “SisterSerpents’ Hiss and Hers,” John Stevenson
Chicago Free Weekly, March 16, 1990:  “Group Efforts,” John Stevenson

PROJECTS & MEDIA
2003            Fiber and Feminism, included in slide lecture by Deborah Kruger, Amherst, MA
2000            Serrahima Gallery Artists’ Group, Barcelona, Spain
1998            Bloody Wimmin #3, The Rag by Graphic Divas & Text-Based Chicks: art reproduction
1995           Time Capsule, An Encyclopedia by Women Arists, published by Creative Time and SOS Int’l
                     for the Bejing Conference on Women:art reproductions
1993            NBC TV Local News, Nov 18, “The Guns of  November,” artist shown shooting artwork
                     Women’s Caucus for Art: Lecture on the publication of Wimmin x 1/Wimmin x 1 + 2
                     The Tenth Conference of the Society for Menstrual Cycle Research: Panelist for.
                         “Reinventing Menstruation,” a talk on my art in which menstrual blood is used
                     Book Publication: Wimmin x 1/Wimmin x 1 + 2, an artist’s book on major installations from
                         1988-1992 6 x 8”, 144 pages, 110 illustrations.1992 Women’s Caucus for Art Conference:
                     Panelist for SisterSerpents, Chicago “Radical Feminist Art, or Unabashedly, Art with an Agenda”
1991            “The Goddess Altar in Cow Pasture Grove,” woman of power, Issue Nineteen
                     International Women’s Day Video Festival, Public Access TV, Boston
1981–83    On contract with NASA Art Program on Space Shuttle
                    Reproduction of works published in Discover Dec 1982 and included in exhibition:
                    Space Shuttle Art at the Air & Space Museum, Washington, DC Exhibition traveling in the US.  

COLLECTIONS           
Bryn Mawr College Special Art Study Collection
Museum of Modern Art Library, NYC
Libraries at Cornell, Univ of CA at Berkeley, Univ of MI at Ann Arbor, Temple Univ
National Museum of Women in the Arts, Washington, DC
NASA, Kennedy Space Center, Florida & Washington, DC
Federal Reserve Bank, Richmond, VA
Islip Art Museum, East Islip, NY
Private collections in the US, Canada, England, Spain

AFFLIATIONS
1988–        Ceres Gallery, A Women’s Cooperative Gallery, NYC
2002–04    Member Board of Directors, The Arts Guild of Rahway, NJ; Artist RoundTable, NYC
1990–92    Mob of Angels, Women's Drumming Group led by Layne Redmond, NYC
1988–96    SisterSerpents, Radical Wimmin Using Art as a Weapon, Chicago
1988–98    Women’s Caucus for Art,  NYC Chapter, Member of the Board of Directors

DEGREES
B. F. A.      Cornell University, Ithaca, NY
M. F. A      California College of Arts and Crafts, Oakland, CA